Timecode encoded as audio — route it through any audio interface, cable, or recording system just like a regular audio signal.
Linear Time Code (LTC) encodes SMPTE timecode as a bi-phase mark encoded audio signal. It sounds like a distinctive high-pitched buzzing — if you've heard a "timecode stripe" on a tape or seen an audio waveform that looks like dense square waves, that's LTC.
Because LTC is an audio signal, it can travel through any audio path — XLR cables, 1/4" jacks, audio interfaces, mixing consoles, and even recorded to audio tracks. This makes it incredibly versatile for live events where MIDI or network connectivity isn't available.
LTC excels in scenarios where other timecode formats can't reach:
To route LTC between applications on macOS, use a virtual audio device like BlackHole (open-source):
For hardware output (sending LTC to a physical audio connection), select your audio interface output in TimecodeLink's LTC settings.
TimecodeLink generates a clean LTC audio signal from the current deck's timecode position. The signal follows DJ pitch adjustments — when the DJ speeds up, the LTC runs faster, keeping visual cues aligned with the music.
LTC travels through any audio path — XLR, 1/4", RCA, or virtual audio devices. If it carries audio, it carries LTC.
Audio cables run hundreds of meters reliably. Perfect for large venues where the DJ booth is far from the lighting operator.
Record LTC to an audio track for post-show editing, archiving, or offline programming of future shows.
TimecodeLink bridges your DJ software with show control systems using professional timecode output.